Cut+Run Promotes Mitch Goldberg to Editor

Cut+Run Promotes Mitch Goldberg to Editor

Apr. 08, 2025

Award-winning global editorial company Cut+Run has promoted Mitch Goldberg from assistant editor to rostered editor. Hailing from Melbourne, Australia, and based in Los Angeles, Mitch found his love for editing in film school and quickly became a valuable collaborator to many acclaimed editors and post-production houses across Australia and the U.S.

Mitch began his career in Australia as an assistant editor at The Butchery. He eventually moved to the U.S. to work at Exile Edit in New York City before joining Cut+Run in Los Angeles. There, he proved himself to be an artistic storyteller with a gift for comedy.

A storyteller at heart, Mitch thrives in collaborative settings, bringing a unique creative vision to each project. He has lent his sharp eye to numerous collaborations with Cut+Run’s award-winning roster, including standout campaigns like Corona Extra featuring Pedro Pascal, edited by Cut+Run’s Frank Effron. Mitch’s portfolio spans a dynamic range—from emotionally charged, character-driven stories to sharp comedic pieces like Got Milk's “Got Wood” campaign starring Aubrey Plaza. His narrative sensibility also shines through in his short film work, many of which have been featured at MIFF and other international film festivals.

Mitch Goldberg on his artistic home base, Cut+Run remarked:

"When I first met Amburr and [founder] Steve [Gandolfi], I was struck by their warmth. Obviously, the talent on their roster was a huge draw, but I have received opportunities in spades working at Cut+Run. I'm grateful to be a part of a company that puts its people first and absolutely honored to be a rostered editor.”

 

Amburr Farls, Managing Partner at Cut+Run, added: 

"This is such an exciting moment for Mitch and we are thrilled to be a part of it. He has worked incredibly hard, exceeded every expectation, and met every challenge with eagerness, enthusiasm, and a true dedication to the craft. We also discovered comedy gold. I mean, can we please take a moment to admire the man’s press photo. Heaps good, mate! (said in my best Aussie accent)."

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