HAMLET Sign Mixed Media Directing Duo WAAAW to Roster
Jul. 03, 2025
International production company HAMLET have signed French-Belgian directing duo WAAAW to their roster for representation in France, Belgium, Japan, APAC and China.
WAAAW is comprised of Jack Antoine Charlot and Sidney Van Wichelen who are known for their genre-blending style bringing a dreamlike cinematic magic to their work. With a love for live action, animation and VFX, they create films where live action is blended with the surreal, resulting in emotionally charged and narratively driven pieces, with humor, heart, and the occasional dose of chaos.
The duo have worked with a plethora of well known global brands turning McDonald’s burgers into exploding space vortexes, Adidas sneakers into alien motherships invading Earth, Halo’s Master Chief into a manic roommate for Asus, and Tate Modern’s art into surreal life-journeys for Swatch.
WAAAW draw inspiration from a rich supply of sources ranging from real-life absurdities to fiction cinema and contemporary art—drawing influence from the likes of Maurizio Cattelan, Erwin Wurm, Charles Ray, Bertrand Lavier, and Satoshi Kon to keep their creative world weird, personal, and unmistakably their own.
Jack Antoine Charlot, one half of WAAAW said:
"Ruben and Jason have such an awesome track record , and they’re just genuinely fun to discuss with. We love having open conversations with our producers , a shared hunger to push boundaries and make wild stuff happen."
Sidney Van Wichelen, one half of WAAAW added:
"Plus, the roster is seriously cool: Julien & Quentin, Angelo Cerisara, Ludo Gontrand, BRTHR… just packed with crazy talents. Hamlet’s relentless pursuit of excellence and the opportunity to grow our reel not just in Belgium, but also in the French and Chinese markets, were key factors in our decision."
Jason Felstead, co-founder of Hamlet commented:
“We’re really excited to welcome WAAAW to the roster. Sid and Jack Antoine have this great way of blending live-action with 2D and 3D animation - it all feels effortless and super intentional. Their use of visual effects isn’t just for show; it really supports the emotion and storytelling, which I love. There’s a clarity and boldness to their style that really stands out, and we’re looking forward to teaming up with them across different markets.”
Related News
Lingokids Hires Former Tilting Point Studio Head Mathias Royer to Lead Lingokids Studios
The former Tilting Point chief of Studios will run games for Lingokids, which reaches more than 20 million kids a month
Dotted Line Agency Announces Jean-Pierre Bovie as Executive Creative Director
Bovie brings more than 20 years of creative leadership across retail, healthcare, CPG, nonprofit, entertainment and public-sector work
No Sushi Signs Keith Fraase, Bringing the Emotional Rhythm of Past Lives, Severance and Shogun Into Commercials
The filmmaker-first post house adds Fraase to its editorial roster as it continues its push to bring acclaimed film
Latest News
Aug. 31, 2026
The One Club Establishes Brand Hall of Fame, Apple Named as First Inductee
Creative Hall of Fame black-tie induction ceremony set for September 16, 2026 at Capitale New York
Aug. 29, 2026
After 63 years, Vodafone and BVB Recreate First Ever Goal in Bundesliga History Using AI
The AI-reconstructed goal airs from 29 August on TV across Germany in a documentary called "The Unseen Goal"



